soundtrack zu aktuellen netflix-serie “black mirror”. die musik stammt von clint mansell, früher sänger der band pop will eat itself, heute gefragter komponist von film-scores. zu seinen erfolgreichen werken gehören die film-musiken zu “black swan”, “moon”, “ghost in the shell” und “the fountain”. “black mirror” gehört zu den ungewöhnlichsten serien im moment: “wenn technik eine droge ist - und es fühlt sich wie eine droge an, was genau sind dann die nebenwirkungen? dieser bereich - zwischen vergnügen und unbehagen - ist der schauplatz meiner neuen drama-serie black mirror”, sagt serien-schöpfer charlie brooker. der score ist entsprechend düster, elektronisch, atmosphärisch.

karen gwyer returns to cement her reputation as one of the most individual and daring voices in dance music with rembo , her first full lp for don t be afraid, following a debut on the label in late 2016 with the prophase anaphase metaphase telophase ep. reflecting the sheer energy of gwyer s improvised, undulating and unpredictable live shows, rembo captures gwyer in her element as a techno producer not afraid to smudge both the physical and emotional edges of what we may have come to expect in the club. live performance is where gwyer s ideas come into gradual but vivid fruition, with tracks often evolving over -five or six shows- before reaching the studio. here, gwyer endeavours to capture the same transcendent energy that has seen her enrapture audiences at international events such as mutek and unsound, and in support of contemporaries such as laurel halo, kassem mosse and factory floor. throughout rembo , dozens of shows and endless stolen studio hours have informed 38 minutes of uncompromising body music. rembo is a record that calls firmly to the night, an album to transport both artist and listener to dark, sweaty rooms, to shared escapism and unexpected moments of electronic transcendence. from the first note forward, on record and in the club, karen gwyer is an artist in total control, no matter where she ends up taking us

with -nekromant- the labelheads avidus are back on empore music, to present their darker side. the original consists of powerful arpeggiators rolling on a triplet-beat with a trancy vibe. the remix from jens-uwe beyer, formerly known as popnoname and as the curator of the label magazine, delivers a dreamy remix from the original with nice organic percussive elements. berlin based sebastian voigt, who has been making waves with his release on outcast oddity, completes the remixes with a straightened interpretation of the original back to a 4 to the floor beat, even adding even more drive and power if compared to the original. the ep comes full circle with a beatless -synthapella- from the original.

in 2013, we released the debut album from the beat broker. it went down a storm with both the disco buying public and critics alike. fast forward to 2017 and we are just as pleased to welcome the second album from the san francisco resident. he is here to share his sunshine once more.

percussive drive and rugged atmosphere defines the fifth rashim 12-inch, where the body takes over the mind. this esoteric style not previously presented by abdulla rashim, confirms his ability and talent to further confirm hes someone to trust. exploration leads to innovation, and this is a prime example of shaping atmospheres into different styles.

mind fair return with a deadly two-part interpretation of the joe jackson classic steppin out. for their latest rogue cat sounds incarnation the golf channel mainstays have enlisted the indispensable talents of charmaine baines on vocals, climax blues bands derek holt (bass &guitar) and alex bradbury (sundown drive) on keys. this slowed down, melting pot of soca not soca meets lovers rock, reggae, blues and soul is brought to you in two parts part one deals mostly with the song, charmaine s vocals sounding suitably dreamy and laid back whilst part two puts focus on the instrumental groove where the guitars, strings and rhodes are the main attraction. mark e provides one of his merc dubs on the flip which takes a afro rhythm meets beat down central then builds intensively with rhodes and a horn section breakdown to die for the man is on form! essential music to step out to this summer for sure!

this record is the result of an undeniable desire to uncover a once lost and forgotten gem from beyond the dust. to recover the magic underneath, that has never grown nor subsided and doesn’t belong to anything but itself. a love story between two music labels that found each other in this blissful journey, lossless and something happening somewhere are here to presents the next chapter in their findings. uzoamaka is an original track by king britt from 2002, that still remains as fresh and uplifting as it was 15 years ago. nuno dos santos (sohaso) has been in love with the sonic narrative since it was released, but felt the urge to bring the transformative beauty to a wider audience. in an attempt to recover the original, the original master and pre-master turned out to be lost by the waves of time. calyx mastering have remastered the music straight from vinyl, keeping the raw charm of the original but giving it a sonic facelift to fit with modern standards, also making it available in the digital format for the first time since it’s release. the original by king britt is an ode to the ritual of dance music in it’s purest form. with vocals panning across the stereo field that preach ‘sing, dance, be, free to dance’, it resonates with the primordial human playfulness, joy and expression in all of us. teasing with a melodic bassline, almost reaching twelve minutes running time, it’s a modern hymn that never fails to mesmerize and bring people’s spirit together. besides remastering the original, it gave the opportunity to invite other artists to retell the story. this time the mighty dixon gives the original track an update for modern dance floors. pushing the groove to the foreground, adding some extra percussion and drive while letting the choir guide you to a monumental break in which the chord suspends in the air. “free to… free to… free to…” nuno dos santos has used his magic touch for a short beat edit, which focusses the whole affair on the groove even more. a powerful tool to add some impact to tracks or to break up an otherwise repetitious dj set. mathias schober is back under his sb alias, carefully tightening and shortening the original version from 2002 with his edit to create a version that celebrates the quality of the elements. pushing and pulling, enhancing the entrancing effect of the musical soul.

sex. sorrow. synthesizers. digital romance are a french duo cast in the mould of vintage electro pop. their sound echoes those halcyon days but is firmly set with an eye on the future. vocals, from marie de berlin, are deep, inviting and rich. tracks tell of lost loves, forlorn figures hoping to find solace in the cold and calculated world we inhabit. sparkling synthwork, care of forgotten illusions, perfectly matches those breathy lyrics, catchy hooks ensnaring hearts and minds as they spiral through the dancefloor of their lives.

!! vinyl only !! four originals from the italian artist. turins rills has been steadily gaining a strong following over the decade with his tracks being played the likes of ar:pi:ars raresh, daniel bell, dyed soundorom and cassy, and finding a home on imprints such as 8bit, in haus wax and esperanza. here we see rills join the roster of visionquests vinyl only offshoot label, special editions, following material from jorge savoretti, konrad black and quilla. zorlak opens the package and sets the tone of raw and dubby via murky atmospherics, swirling chord sequences and a swinging rhythmic drive, yoda follows and retains a similarly swung drum groove whilst introducing spaced out, unfolding pads across the composition. stranger freaks kicks off the b-side of the release, stripping things back to bumpy drums, heady resonant synth swells and hypnotic tension buildings drones before paper beatz rounds out the package with smooth deep pads, modulating synth stabs and shuffling hats.

ruff stuff returns to their own label and are proud to announce a new 4 track ep. untitled04 is the result of different experiments on the sound and introduces a novelty for the label: the first official remix by the lovely italian duo black loops. “never ending” opens the a side with its raw groove, a hypnotic pad warming everything up and a vocal that will drive the listeners to unexplored territories. “m.a.m.t.” showcases the most familiar sound of ruff stuff: warm techno stabs on a straight groove filled with a single vocal and a synthetic arpeggio in the second part. on the b side the sound changes its shape with “flying”: a mixture of rough grooves, disco samples, female vocals and a touch of acid. the remix by black loops brings the track back to very house territories chopping the original samples more and filling them with a solid beat and shining hats. just put the needle on, push play and dance! vinyl only, limited copies.

ontal on mord.

following last year’s much-acclaimed solo album “mondo alterado” (hippie dance 08), original pachanga boy and hippie dance mentor rebolledo returns to the limelight with the jam-packed mondo re-alterado (hippie dance 10), tapping into his vast and varied network of friends and fellow soundsmiths. artists such as superpitcher, dj tennis, maceo plex, red axes, fango or fantastic twins deliver stunning takes on rebolledos’ unique signature sound, creating a full suite of exclusive remixes, cover versions and reinterpretations.
from the super-energetic club rumblings of maceo plex’s discotico plexico to dj tennis’ dreamy pimiento drive version of a numb gas to the future or fantastic twins’ party bomb fantastic pow pow, the journey through mondo re-alterado is full of twists and turns – a world where an epic, cinematic soundscape such as superpicher’s rainboy super space sits comfortably alongside the claustrophobic, punishing banger that fango sculpted from stand-out cut “pow pow”.

meanwhile, red axes turn the casual narrative of “life is strange, life is hard, life is great” into a bouncing workout – a great companion piece to want, danny daze and shokh’s propulsive, jagged dub version of “fears come true”. other highlights include jörg burger aka the black frame with the lush black rainbow woman, paulor’s country rock extravaganza discotico desertico and not one, but two excellent contributions from former italians do it better honcho mike simonetti. it’s a magical, surprising ride that finds beauty in contrasts – while staying tuned to rebolledo’s spirit of adventure and powerful sense of style.

2017 repress on black vinyl incoming!
techno stars collide as truncate and slam come together for the latest gynoid release “drum trax”. side a sees truncate return on the label with 2 original pieces in model 2 and the title track, “drum trax”. both dipped in that truncate signature floor driven minimalist funk and backed with tough percussion for drive. these are surefire dj faves waiting to happen. the flip side sees slam remix “model 2”, not once but twice. the slam remix charts darker and brooding territory, taking you deep into the rabbit hole. then the tenebris dub remix still maintains that mood, but shifts through the energy gears to develop into a dance floor bomb.

florian kupfer, after a string of prestigious releases on ron morelli’s l.i.e.s. and russian torrent versions imprints, willie burns w.t. records, rush hour and ninja tune’s technicolour sub-label (lest not forget that white label sade bootleg), returns with a three track ep on private persons.
this 12 inch tells us the story of the beginning of florian’s career - his travels, dreams and of course love. title track “post present”, recorded for the first time five years ago get’s its first cut into wax. eerie, other-worldly voices reach over a kicking, distinctively kupfer-esque rhythm track. “i can’t love life without u” is a dub drive through retro-futuristic heartbreak and “&#1051,,,&#1102,,,&#1073,,,&#1086,,,&#1074,,,&#1100,,,” an ambient tip into the subconscious.

summer is here. we take it the surf way with a gorgeaous main mix. (swing ny vibe beat with deep twisted chords & a sexy spoken vocal that take us way back, a fat bonus beat & long drive instrumental we love it the surf way.

nice price deal !!! pushing cosmic disco to the max ! for all fans of prins thomas, todd terje or dfa! first release, signed erik wikström includes two big songs: marathon and autonight. as the title indicates marathon it is a seven miunute workout. on the remix, feed pays a tribute to the origin of electronic music. riding the bassline even harder in the spirit of tour de france. autonight is more of a starter but also a stomper. once again showing his abillity to combine digital soundscapes and analog synthezisers wikström takes us on a late night drive. as a part of meatboys, erik remixed tracks by embassy and robyn amongst others. in 2006 they released the 12 fireworks on casette records. wikström also mixed the uk number one song with every heartbeat by robyn and kleerup.

hello children, for this year s excursion we have organised a fantastic trip: a one week journey to the parallel world! a world where its leaders decided to go back in time rather than moving forward. it will be a mind bending excursion. it will be great.

2nd underground-music-xperience release

we hit you with the second single from jimpsters acclaimedsilent stars lp loaded with the good stuff! the album has received much love from djs and critics alike and its clear that after 25 years in the business jamie odell retains his reputation as one of the most talented and consistent electronic artists in the uk. as a&r and dj he also boasts a fine ear for emerging talent and here he hands over the reigns to two hotly tipped producers to rework his originals. first up we have the incredible peggy gou who takes on the sun comes up ft. jinadu.her speedy rise through the ranks over the past 12 months has been down to just a handful of brilliant eps on rekids and phonica and her skills as a club dj. the berlin based korean sits somewhere between detroit, london and berlin in sound and her dj sets are an assured, kinetic combination of dark, pulsing house and techno, broken beats and abstract compositions. her influences shine through on her remix which goes deep and musical whilst retaining an energetic drive for the dancefloor. perhaps the most mesmerizing, floor-focused track from the lp is up next, silent stars. an electronic tribal dance which builds to a speaker-wobbling sub-bass breakdown and wonderful chord section at the climax. next, a remix from west coast native urulu who came to jimpsters attention through his releases on lets play house, dirt crew and his own amadeus label. trying to describe his remix of where you areft. khalil anthony is no easy task, fusing elements of techno, broken beat and afro house, but check it out and if you can think of a suitable new sub genre to pigeonhole it with, let us know. closing the release we have the slow-burning, balearic-tinged beauty known as the sun comes up featuring jinadu on vocals. this is one to drop in the warm after-glow of a crazy night under the stars when tired legs and happy hearts crave a soulful groove to give them one last lift.

following the astounding success of their first release with chaos in the cbd, yam recordings return with the first installment of their you and music compilation series. this 5-track release features leonidas, msss, sofatalk, tom esselle and z lovecraft. compiled by shop owners theo & tom and born of relationships forged at yam records on rye lane, it represents both local and international talent that they ve had the pleasure of crossing paths with over the past 3 years. tom esselle s le&#770,,let kicks things off with a traditional guadeloupean folk song re-worked for the club. driven by tropical percussion and a hefty bass line, the call-and-response vocal elevates the track. msss follows with this is a modern drugs party. this track chugs along, interlaced with african and far eastern influences, while tuned percussion adds a hypnotic element. modern drugs party indeed. on the flip, italian maestro sofatalk offers up truth theme, an afro broken-beat masterpiece prime for the summer. polyrhythmic percussion, twisted horn samples and vibe solos carry the release from the nightclub to the beach. leonidas takes things back to the floor on shesha dub). this analogue hardware session delivers crisp hats, acid bass lines and synth stabs aplenty. the syncopated rhythms drive the track through five-and-a-half minutes of pure groove. finally, z lovecraft closes the compilation with oceanic a live jam recorded in one take. this track invokes memories of video games, beach life and sun-kissed afternoons, transporting the listener to an audio oasis via a digital ocean.

a journey into deep soulful jazz & funk from the 1970s! praise poems vol.5 zeigt erneut, dass es bei musik immer auch um ein gef³hl geht. musik/ emotion/stimmung! jeder einzelne song auf diesem album ist ein meisterst³ck, das seinesgleichen sucht. diesmal mit dabei: gunn high school jazz reunion, keither florence, robert cote, plas johnson, charlie chisholm boss-tet, u.v.a.

hiding slightly out of plain sight, australian producer mood j has been secretly crafting lush house jams for the last half decade bubbling just under the visible surface.
with the artist and asquith having briefly touched base at the beginning of the label’s journey, it took only a chance encounter in a ballarat bungalow in 2016 to reignite the flames of the artist-label relationship. jimmy surprisingly bumping into jon (mood j), as he was daze’s housemate in aus, whilst the lobster crew were on tour there.
mood j’s hard drive was stashed with archive of warm, sizzling, analogue studio tracks cooked to the nines, and so here we are just over 14 months later with the full epic debut in hand.

... mini lp - 180gramm vinyl only

what does teen spirit smell like, anyway? it might smell something like noise addict. like the real life stars of some sort of choose-your-own-adventure book about pursuing rock stardom, few bands ever led a more charmed existence, springing from the sydney suburb of bondi into seemingly overnight international fame as friends and collaborators of sonic youth, fugazi, and the beastie boys. through a combination of relentless drive, luck, and an admirable lack of self-doubt, noise addict spanned puberty to surpass the haters and join radio birdman and nick cave as a strange but permanent piece of australian punk history.
compiled here are 25 tracks, including their evan dando-worshipping satire “i wish i was him,” the thurston moore produced demo, choice cuts from their grand royal-issued ep and lp, and covers of “let’s lynch the landlord” and “back in your life.” the entire sordid adolescent tale is covered in incredible detail inside the black and white 16 page zine. and finally, for the first time in the history of record pressing, and for no good reason at all, the cover for 10.000 kids with guitars doubles as a working chalkboard.
limited to 2000 copies on black vinyl.

eric fetcher has been given the honour of contributing to invite’s choice and does so with a four-track banger for its ninth output.
kaissa’s neurotic synth and wobbly bass combined with its forceful hi-hat open this ep in a stripped-down fashion, which makes it perfect to build tension and make transitions in any dirfections while mixing. mephisto continues on the path chosen with coherent and hypnotising synthesis, whilst keeping a funky kind of feel due to the very present kick and hi-hats, yet has a darker feel to it. deep blue on the b-side is a more four-to-the-flour track with a rousing synth and banging hi-hat, perfect for lifting up a crowd! cray blitz combines hypnotising bleep-like sounds and a mind-blowing string with droning low-end sounds. hypnotising like the other tracks - but with more drive - this ep is closed down. eric fetcher showcases his take on techno which fits perfectly between both modern day and oldschool techno!

indonesian concern midnight runners know a thing about quirky, utterly funky boogie and disco variations played out with real world heart and soul. this third album rare essence is the most complete look into the world of bandleader munir septiandry to date, not least when reveling in the heavyweight groove of -pyramids of the moon-. there s a lighter disco touch to -paraswara harmoni-, but equally a cosmic force guides the track skywards in a manner that calls to mind the sweetest 70s library music. -cyber crimes- is a sassier affair that makes its club intentions clearer, but at every turn midnight runners display a keen proficiency for party music that you can equally chill to

vinyl only release !
roduced by roman flügel and jörn elling wuttke / published by copyright control mastered by dubplates and mastering, recut by stefan betke at scape mastering berlin alter ego recordings is very pleased, to rerelease this acid jesus classic, which is sounding just as fresh as it sounded, when it was released on klang elektronik back in 1997. the record was out of print since over 15 years and the tracks were not availlable on any digital platform. based on a very light, but striking ground construction, roman flügel and jörn elling wuttke leading their listeners over delicate fm-synthesis-sounds, minimal clonky bass patterns and snappy percussions to a long intermission breakdown, which reminds us of a starting boeing 747. where “interstate” plays like an inspired peakhour-jam should, “turkey skank” and “hibernation drive-, on the b-side, take on cooler tones for a headier machine-funk ride. the record was played out by dj’s like andrew weatherall, matthew herbert, luke slater, baby ford, dj hell, ellen allien, sven väth, ricardo villalobos, michael mayer etc.

unto the sons of the royal amphibians were given by lot, throughout their families and out of the tribe of zebulun, twelve records. the fifth ep in the treisar series sees moscoman deliver a new piece of dancefloor dazzle with the royal amphibian international ep. just across the nile kicks off down in the sluggish ends of the club. flamboyant claps and hypnotizing accordion stabs hint at brighter climates but the darkness of the bass threatens from beneath. express way explores broken beats before resolving into a 4x4 drive stocked with balearic flair and ominous vocal chops, while its dub counterpart brings the ep to a melodic close with an unhurried, glistening rework.

killawatt returns on tommy four seven’s 47 imprint for its sophomore single artist ep.
uk’s killawatt made his debut 47 appearance on the first various artist ep, 47001 in 2015 with his contribution, ‘tensile’, alongside kwartz, isolated lines and tommy four seven. following his appearance at 47’s new event numerology in berlin, killawatt steps up to deliver the label’s second solo artist ep, 47010, which combines deadly broken rhythms, futuristic soundscapes and cutting textures to create 4 solid techno stepping experiments.

birthed from deep within london s burgeoning jazz resurgence, native dancer have been setting levels across the capital s live scene (and beyond) over the past two years. five individual artists who together set out to create a music that speaks from the heart and denies none of their influences in a genre twisting mashup of styles with elements of pop, soul, electro-funk, jazz, rock and dance music. submit records release native dancer s eps vol. i & ii on 12- vinyl with gatefold sleeve. limited to 500 copies, the release features an eric lau remix of big blue and a digital exclusive remix of in clouds by slugabed. already having received airplay from gilles peterson, marcia carr, support from alexander nut (eglo records) and afropunk - native dancer are one of london s most promising musical prospects, and submit001 sees their remarkable duo of eps pressed to wax for the very first time.

first vinyl from londons coastal haze for tokyo friend aquarium aka deepspace.

tapes at the control! superstar follows up his previous 12inch for the estonia s porridge bullets, this time with a collab project with tapes (jahtari, em, sextags, meeuw muzak) ltd pressing, cut reggae 45 style (large centre hole) big tip! a disconsolate love-cry of a man gripped with feelings of loss. emotions laid bare on a tender night-drive dub with tinkling synths, recalling the memories of an unearthly beauty.

cynosure presents the fifth installment in the focal point compilation series. this time with a focus on various studio collaborations with mike shannon, featuring recorded sessions from mathew jonson to ricardo villalobos. a diverse selection of works ranging from a smooth 100 bpm house with the mole & hreno to a rolling deep techno at 127bpm with matt & mark thibideau. mike pulls a few gems out of the recording vault to share on a stunning triple vinyl gatefold package.

impulsive? of course. hypnotic? sure! hip shaking? make a guess! cab drivers diving deep on this release. 3 tracks that will bring a nice mood to the floor with basslines and grooves you expect from this berlin based duo daniel paul & zky. play it loud to your crowd !

next up on aus music is the return of label boss will saul working alongside long term label favourite komon. together the duo line up harmonise - a smouldering single that comes backed up with an almighty pair of remixes from osgut ton mainstay nick höppner and analogue aficionados juju & jordash. the title track kicks things off with glowing, interweaved synths and a pattering tom line. vocal snippets and trippy delays suffuse a purposeful bass tone before the 101 dub version rolls out with punchy drums and a sharp, darting acid line. berghain regular nick höppner then does what he does best with his remix in building a rich, hypnotic groove that steadily develops with intricacy and depth. dekmantel and golf channel regulars juju & jordash then drive a warped, rumbling synth line through spacey atmospherics rounding off another fine addition to the catalogue.

pleasure zone welcomes jakob seidensticker, snad & boronas to the family. after receiving so many great tracks from this fabulous trio we ve decided to release two parts - so please watch out for plz024.1 & plz024.2!

welcome to nightlife. johannes klingebiel’s debut on rss disco’s mireia records. an atmospheric journey. melancholic, yet euphoria-inducing. johannes’ five tracks cast their shadows into the darkness, mirroring patches of light that can be found if you wander out far enough. it’s simultaneously the soundtrack of sweaty dancers losing their sense of time and place and the hopeful feeling of a new day during a drive into the first light in the hazy morning hours. johannes is a studied drummer. he released music on labels like mule musiq, ancient future now and feines tier. he’s also one half of alma & mater and travels constantly with the bands c.a.r. and vimes. oh and he’s a great dj as well. he probably never sleeps. that’s how he manages to capture the magic of nightlife. the vinyl comes in a screen printed sleeve with hand stamped labels and is limited to 300 pieces.

straight from detroit with love comes this hand stamped and warm sounding ep from gari romalis, limited 200 copies one off pressing...

college ist eines der musikalischen projekte des französischen musikers david grellier, der auch als valerie und mitch silver bekannt ist. der film-soundtrack zu “drive” machte ihn über nacht berühmt. der song “a real hero” von college war einer der beiden pop-tracks (mit “under your spell” von desire), welche die schlüsselszenen des films untermalten und den soundtrack so berühmt machten. “shanghai” ist ein konzeptalbum, welches stimmungen dieser stadt reflektiert. dies hört sich über weite strecken wie ein imaginärer soundtrack im 80s electro-gewand an. mit dem stück “love peas” ist gewissermaßen ein chinesischer song geboten, der in die fußstapfen von “a real hero” treten könnte. fans von johnny jewel/chromatics sollten hier herein hören!

back down on my knees is a raw house cut combining a pounding bass drum and clever percussion reminiscent of a late 00 s new york sound with washed synths. i m amazed offers an ambient track lead by a simple piano interlaced with a field recording taken on a subway platform in new york. on the other side rubber jam is a tough hardware jam with a floaty arpeggiated synth line. here will be blood rounds the ep out relying on percussion to drive the track with breakbeat and a heavy bassline.

limited 2017 repress. amazing package! z.i.p.p.os collected works series got now remixed by par grindvik, ritzi lee, echoplex and jeroen search. any questions?

this is cómeme bringing more hot rhythms to the dancefloors of 2017 and beyond – this time starring charlotte bendiks from tromso, norway with her smashing and generous ep: hidden tracks – the first comeme ep produced north of the polar circle! charlie is a spaced out chica doing dark humour techno hotness - scared and attracted by encounters with ghosts and ghouls, lost souls, insomnia and aurora borealis frenzy – these mystical experiences drive her to do her own take on physical dancefloor pleasure and pain, spinning records or playing live alongside jon-eirik boska, who also features on this 12inch. lets dive into a parallel world of gothic ukuleles, isolated villages and their myths, juvenile silliness and arctic deepness.

mother recordings don t let up on the release schedule pressure as they look to returning label artists mat.joe for a new two tracker. this berlin based duo are one of the most talked about duos on the circuit at the moment with releases on toolroom, hot creations, as well as mother in the last 6 months. they also received a best newcomer nomination in the recent dj awards for ibiza and have also had two number 1 beatport tech house hits in 2016. they are known for really cooking up fresh club sounds each and every time they release, and this new blow your mind ep is no different.

das neue album des englischen gentleman s dub club auf dem amerikanischen easy star label folgt dem 2015er release -the big smoke-. für -dubtopia- ist das konzept den fokus aus songwriting vom vorgänger mit dem bassbetonten, uptempo drive ihrer liveauftritte zu fusionieren. das album wurde vom bassisten der band, toby davies ,produziert und featured gäste wie taiwan mc, lady chann, eva lazarus and parly b. die lp erscheint als limitierte transparente edition mit download code.

steven bc has been busy carving out his own niche in the underground over the past year, primarily on the shall not fade label. house crime were quick to pick up on the distinctive qualities in his lo-fi, pumped up sound and following on from an appearance on house crime vol. 1. bc is back with a whopping great double pack of killer jams from the wild side of the outboard brigade. -drive over- has a nagging lead line that will turn heads despite its stark simplicity, while -between the sheets- plays with boogie tropes and makes them sound delightfully off kilter. start to finish it s a collection of wondefully grubby but utterly fresh jams

breakthrough artist mihail ps debut presents two stunning original tracks alongside mixes by young hungarian wizard gnork and the labels own hutton drive aka domenic cappello, also of glasgows fabled sub club.

dj haus (the hardest working man in show business!) teams up with mak & pasteman for our landmark quarter century release!!! how the hell did that happen? we only expected to manage about 4 releases tops? we are really proud to welcome these guys to the ever expanding dabj family, and they have not let us down with this first release... the title track and -bang it- are room shaking heavy bass numbers, which we have been rinsing for almost a year now... drive mf sounds like paul johnson and daniel bell -stuck in an elevator- (or some other bullshit analogy like that...). all 3 tracks = essential. period. -buy on sight- etc etc... carefully hand stamped by the two slackest men in show business (or at least one of them anyway...)

the scorpions 2001 acoustic release for the first time available on vinyl! acoustica was not cut in ther studio but filmed and recorded live behind the walls of a portugese monastery, pure and without any electronic amplification, surrounded by the group’s fans.